Why I don’t yet despair for Watchmen

As Sean T. Collins notes, there’s a new Watchmen trailer, with actual dialogue and everything. Among the fan complaints that are piling up, here and elsewhere, involve Rorschach’s “growl” (basically lifted from Christian Bale’s awful awful Batman voice), cliché action-movie lines, changing the Minutemen/Crimebusters name to the Watchmen, and of course the unceasing slo-mo — plus earlier anxiety about the costumes.

The use of the name “Watchmen” on-camera (which never happens in the book) is sensible. The proliferation of lame team names throughout the story might work within the book’s purpose (underscoring Hollis Mason’s point that the first generation of heroes were total amateurs with no idea what they were doing), but would be unnecessarily confusing in a film. It smacks of “oh by the way, which one’s Pink?”, but if that’s the worst that happens, this will be the best adapted epic since LOTR.

The reason I’m hesitant to piss on this movie is that, as I’ve said before, I largely agree with Snyder’s stated position, that Watchmen as an act of deconstruction must superficially resemble its targets as much as possible.

Rorschach was a parody of certain sociopathic tendencies that were just starting to creep in to superheroes in the 80s; as the post-Watchmen era grew to emulate him more and more, he’s only grown more relevant.

So in that sense, the latex nipples and dumbass tough-guy growl are inevitable. In order for the deconstruction to work, it’s got to make use of the tropes that are on viewers’ minds.

The part that makes me nervous is that Snyder doesn’t have the detachment that Moore and Gibbons had when creating the thing — they loved superheroes enough to bring them accurately to life, but they had no illusions about the genre’s fundamentally childish nature and dangeous implications. Snyder is a clever fan, but he’s still a fan. He genuinely thinks it’s cool to watch a costumed badass do a stunt in slo-mo. What remains to be seen is whether (amidst hideous amounts of pressure from studios, fans, etc) he can have his cake and eat it too.

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Leigh Walton talks comics and maybe other arts. (RSS)
He also works for the very excellent publisher Top Shelf Productions (which does not necessarily endorse the views and opinions, etc, herein).

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Header by me. Contains an interpolation of the final panel from All-Star Superman #1 by Grant Morrison and Frank Quitely. Speaking of which.

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